Few contemporary filmmakers have interrogated modern life with the unflinching precision, moral clarity, and formal rigour of Michael Haneke. Known for his stark visual style, chilling precision, and provocative storytelling, the Austrian director holds a mirror to the darker corners of modern society. The films in this season challenge the viewer to engage with Haneke’s cinematic world, a stark, sometimes brutal, yet intellectually rich landscape where emotional comfort is rare, and easy answers are refused.
Although often described as cold, Haneke’s work betrays a deep concern for the state of human relationships, for the erosion of empathy in the face of media saturation, social conformity, and historical amnesia. His cinema resists traditional narrative satisfaction and instead implicates the audience in the moral dilemmas of his characters, often forcing us to question our complicity as spectators.
From his early German-language works like Benny’s Video (1992), which explore the numbing effects of consumerism and media violence, to his internationally acclaimed masterpieces such as Funny Games (1997), Caché (2005), and The White Ribbon (2009), Haneke has relentlessly exposed the fragility of the veneer of civilisation. He narrowed his focus in Amour (2012), offering a devastating, yet tender portrait of love and decline in old age, earning him the Palme d’Or for the second time, and his only Academy Award (for Best Foreign Language Film).
Whether you’re encountering Haneke’s work for the first time or revisiting it anew, expect to be unsettled. That’s precisely the point.
